A Study of Small Sculpture from the Mesoamerican Societies Essay

The Olmec, Maya, and Aztec were ascendant societies of Mesoamerica, rich in culture, community, and contrivance. While life may not be completely interpretable yet, much in know about how these societies were constructed, and how their morality dominated their lives. Much is gener aloney made of their massive stonework, their ceremonial complexes, and ritual sacrifices, but their sm all literary hack, ceramic, and stone sculpture deserves as much trouble as the works of much larger size have received.The Olmec were mind to have set many of the patterns seen in later cultures throughout Mesoamerica.1 San Lorenzo, the oldest known Olmec building site, as of the time of the Brittanica article, is known for its Colossal Stone Heads, all of which have prominent facial features. Las Bocas was excavated and many small jade figurines of batch in the community were found. Some of these appear to have ritualistic purposes, adjudicate by the incising noted on the sculpture.The Olmec culture spread northwest and southeast, and evidently influenced later cultures in artistic endeavors.2 The concept of sacrifice in Olmec art had ties to the belief of renewal a birth-death scenario, where one is returned to the source - the underworld.3 Similar to monumental figures of men presenting children, wearing jaguar-baby masks, for sacrifice, human figures were sculpted in a much smaller scale, many of which are ceramic or polished jade (fig. 1).The Las Bocas site of the Olmec produced many small figurines that are thought to represent the race who lived there. These objects display Olmec symbols on their hairstyles or bodies, and because they were found at or tight-fitting grave sites, these pieces are believed to have more purpose than simply the moving picture of daily life.4 An example of this type of sculpture is of a man and adult female embracing (fig. 2).The Wrestler figure is an example of Olmec sculpture that should be viewed from all angles, not just front al. The long diagonal line of the figures back and shoulders is as beautiful and commanding as the frontal view.5 The pensiveness of the expression on the mans face suggests individualization and portraiture (fig. 3). Jade was a really p... ...assic Maya trick and Architecture. In The antediluvian Americas imposture from Sacred Landscapes, ed. Richard F. Townsend, 159-169. Chicago The Art lay down of Chicago, 1992.Miller, Mary Ellen. The Art of Mesoamerica from Olmec to Aztec, 2nd ed. London Thames and Hudson, 1996.Reilly III, F. Kent. Art, Ritual, and Rulership in the Olmec World. In The Ancient Civilizations of Mesoamerica, eds. Michael E. Smith and Marilyn A. Masson, 369-399. Oxford Blackwell Publishers, 2000.Valdes, Juan Antonio. The Beginnings of Preclassic Maya Art and Architecture. In The Ancient Americas Art from Sacred Landscapes, ed. Richard F. Townsend, 147-57. Chicago The Art Institute of Chicago, 1992.